Fearlessly Fierce Jungle Queens
November 17, 2021 in Blogs

My Thoughts on Bellini’s Norma Live from the Teatro Real de Madrid
November 17, 2021 in Uncategorized
From veterans like Gregory Kunde to today’s superstars like Maria Agresta, how did they all fare in this production of Bellini’s Norma? Enjoy the review and let me know your opinions as well.
Super Strong Jungle Kings
November 16, 2021 in Blogs
This piece of Inuyasha and Ginta fan art, which is my submission for ItsRaspring’s Halloween Contest #SPOOKYWEEN_CONTEST00, is dedicated to Koza-Kun and Webfriends246 who are celebrating their birthdays today. So, I wish you a lot of love, joy, happiness, prosperity, fortitude, hope, and perseverance in your lives as artists and as people. Furthermore, this is my entry for this year’s Red Ribbon Reviewers’ submissions as well as this year’s Inuvember submission.
Today, we have Inuyasha and Ginta being the handsome, wild, virile, super strong, and mightily muscular jungle kings that they are. Overlooking their bulging muscles, lion-like strength, and leopard-like fierceness, Inuyasha and Ginta bear a relationship that is richly brimming with fraternal love, thus proving to each other that they will always be the best of brothers for life. They even share that oath with Sesshoumaru, Shuran, and Hakkaku, for they will always be the closest of brothers, while, simultaneously, showing as much love, dedication, and appreciation to their respective wives, Ayame and Shunran. Therefore, Inuyasha is the mighty Herculean big brother to Ginta’s charming Adonis little brother, thus being a fine combination of muscular virility and fraternal lovability. Inuyasha appreciates Ginta for making him laugh, smile, and mess around with him. Ginta revels in how brave, strong, and resilient Inuyasha is to the point where he aspires to be as formidable as he is.
Approaching 39 years old this coming December 4 is Inuyasha the king of the jungle whose mighty muscles, spectacularly super strength, fierce ferocity, and impeccable combat prowess make him the most prized fighter in all of the African jungles. Allies and opponents alike are fascinated by Inuyasha’s rock-hard fists of fury, spear-like fangs, dagger-like claws, bulging muscles from his biceps to his pecs to his abs to his calves, his penchant for various forms of hand-to-hand combat, and his peerless strength which can be easily compared to lions, elephants, and gorillas. Inuyasha is also gifted with a very powerful roar which can make any lion, leopard, jaguar, tiger, puma, and cougar green with envy as well as a powerful jungle man yell, forceful enough to make Tarzan beat his chests and roar in approval. When enemies see Inuyasha in his full might, especially in his feral full yokai form, letting out his mighty yell that transforms into a roar while beating his chests, they better run, lest they become undone. Furthermore, his camel clutches, Boston crabs, chokeholds, sleeper holds, back-breakers, neck-breakers, bear-hugs, uppercuts, roundhouse kicks, hooks, and jabs are fatal enough to destroy any enemy who dares to cross his path. His combat prowess, super strength, and boundless determination would be enough to make Mufasa, Simba, Ka-Zar, Hercules, Basuli, Tarzan, and many warriors truly proud of him. As king of the jungle, Inuyasha rules with might and determination while protecting his home from all invaders, looters, poachers, and violators. When Inuyasha is not ensuring the safety of the jungle and his fellow warriors, be they yokai, human, and animal, he loves to engage in wrestling, Pankration, and boxing matches with his favourite big brother Sesshoumaru, weightlifting with his surrogate big brother Shuran, and boxing and wrestling matches with his surrogate brothers Hakkaku and Ginta. Outside his brothers, he loves having spicy, intimate, and exciting nights of passion and consummation with his wife Ayame as well as having couple workouts in the morning with her. He even enjoys sparring, swimming, and running with his surrogate little sister Shunran.
Approaching 38 years old this coming December 18 is Ginta the captain of the guard of the jungle whose well-toned muscles, prodigious strength, sturdy stamina, agile speed, fine combat prowess, and indubitable valour make him an invaluable member of the family as well as the entire jungle. Ginta is a fabulous combination Herculean strength, Odyssean heroism, and has an adorability, virile beauty, and sweetness that can make Adonis, Narcissus, and Apollo blush and flush with sheer jealousy. In fact, every jungle princess, queen, high priestess, and woman healer admire his darling dimples to the point where his physical and characteristic charm is absolutely infectious. However, opponents should never be fooled by Ginta’s charm and sweetness, for underneath his lovability lies a formidable spirit who never backs down from a fight, even when fear stares at him in the face. To prove that, Ginta has gazelle-like agility, cheetah-like speed, and lion-like strength to tackle any enemy who dares to belittle him, especially when he gives them a taste of his lightning punches, kicks, chokeholds, and bear-hugs that can crush and smash all of his enemies. Therefore, Ginta has the strength of Malb’yat, the adorability of Arok, the fearlessness of John Carter, the athleticism of Kavandavanda, and the great fighting spirit of Tarzan, Kaanga, and Zembla. Being the jungle’s captain of the guard, Ginta ensures security and protection to remain top priority to the jungle, his family, and his flora and fauna friends while sounding the call with his signature jungle man yell, enough to give Tarzan a run for his money, to ready the family for battle against invaders. Aside from Ginta’s duties as a steadfast captain of the guard, he revels in practicing meditation and martial arts with Sesshoumaru, weightlifting with Shuran, and wrestling, boxing, and kickboxing with Inuyasha and Hakkaku, thus having a super competitive and warm relationship with his brothers for life. He even enjoys running and swinging vines with Ayame, who he considers as a slightly younger sister and good friend. More than anybody, he enjoys making sweet love, night swimming, and canoodling with Shunran, for he considers her to be his queen of the African jungle.
Inuyasha and Ginta represent two varying degrees of strength, stamina, muscle power, and combat prowess. Where Inuyasha is all muscle, ferocity, fierceness, and brute strength, Ginta is all about surprising his enemies with his fighting skills, thus leading them to a most unexpectedly fatal sting thanks to his great combination of speed, strength, and stamina. Overlooking their differences, Inuyasha and Ginta maintain a strong brotherly relationship enough to make the likes of Basuli and Tarzan, Anabebe and Tar-chan, and Conan and Zula really happy for them. Therefore, Inuyasha and Ginta care for each other as brothers/best friends/comrades for life while proving that they can combine their strength together to beat their foes into a pulp.
I hope you all enjoyed this, and I will see you in the next submission. Take care, stay safe, and show some love, respect, and allegiance to your local jungle king and jungle captain of the guard, everybody.
Inuyasha and Ginta from Inuyasha belong to Rumiko Takahashi and Sunrise.

Formidable Jungle Lords
November 15, 2021 in Blogs, The Splendid Seven
This piece of Sesshoumaru, Shuran, and Hakkaku fan art, which is my submission for ItsRaspring’s Halloween Contest, is dedicated to KazunaPikachu, wildewomen19, zeetrip, and UTEWlover333 who are celebrating their birthdays today. So, I wish you a lot of love, joy, and prosperity on your very special days. Furthermore, this is my entry for this year’s Red Ribbon Reviewers’ submissions as well as this year’s Inuvember submission.
It has been four months since I last drew The Splendid Seven as jungle warlords from Africa, and what better way to continue this array of belated Halloween Contest entries than having Sesshoumaru, Shuran, and Hakkaku on the helm. For this set of belated Halloween submissions, I shall have Sesshoumaru, Inuyasha, Ayame, Shuran, Hakkaku, Ginta, and Shunran be the feral jungle warriors they are, enough to scare any poacher from breaching their home. Furthermore, Sesshoumaru, Shuran, and Hakkaku have a brotherhood based on trust, loyalty, respect, and allegiance. Sesshoumaru’s strength and stealth is enough to put any high priest to shame, thus making Shuran and Hakkaku offer him their undivided respect, allegiance, and overall fraternal love.
40-year-old Sesshoumaru is the lord high priest of the jungle whose prodigious strength, everlasting stamina, and peerless stealth make him a most worthy opponent. Anybody who is brazen enough to knock him out would end up being defeated by the force of his fists, the sharpness of his claws, and the force of his bear-hugs, back-breakers, Boston crabs, and camel clutches. Sesshoumaru rules the jungle with an iron fist while providing perpetrators a speedy execution, making even Kavandavanda envious of him. Simultaneously, he also offers wedding ceremonies to any new power couple, such as the time he blessed Inuyasha’s and Ayame’s wedding. When he is not making jungle sacrifices and uniting couples who deserve a happily ever after, he is a wise and stern father to Asagi, Dai, Roku, Kai, Rin, Shiori, and Shinta, thus watching them grow up to be just as strong, focused, and mighty as he is.
39-year-old Shuran is the jungle bodyguard, for his super strength, imposing size, and fierce ferociousness can bar any intruder from violating their jungle home. Shuran’s impeccable physical strength and lightning manipulation ensures that protection remains a high priority, especially towards his family and friends. At times, even the elephants, the gorillas, the leopard-men, and the warriors of Opar are envious of Shuran’s great strength because of how magnificently he uses it by virtue of his killer back-breakers, bear-hugs, flips, chokeholds, and neck-breakers. Overlooking his imposing size, unparalleled combat prowess, and intimidating manner, Shuran is loyal to a fault to all his family members, especially to Sesshoumaru, thus never letting them get hurt. Jungle bodyguard duties aside, Shuran is a loving father to Kohaku, Shintaro, Taichi, Souta, Shion, Bunza, and Kokichi, thus helping them grow up to be the super strong jungle warriors that they are today.
38-year-old Hakkaku is the jungle messenger known for his endurance, speed, stamina, and strength, thus making him a complete athlete through and through. Hakkaku may be easily agitated, anxious, and high-strung on the outside, but, beneath that outer shell, he is a surprisingly formidable fighter thanks to his fine combat prowess complete with his trademark punches, kicks, and chokeholds. Every jungle tribe from the Waziri to the Kavuru tribe would have Hakkaku to thank for sending out various messages by word-of-mouth, especially when it comes to how he communicates with various animals. His loyalty is just as formidable, as he shows a lot of appreciation towards Shuran and respect towards Sesshoumaru to the point where he considers them to be the greatest brothers ever. Aside from his illustrious messenger career, Hakkaku is also an appreciative father to Hitomi, Moegi, Satsuki, Mizuki, Koume, Kanna, and Ai, thus ensuring that unconditional love and respectful allegiance are the cornerstones of the family and seeing them grow up to be valiant women.
Sesshoumaru the lord high priest, Shuran the bodyguard, and Hakkaku the messenger may have different capabilities, but they are never to be underestimated because of how much collateral damage their strength, stamina, and stealth can cause. Therefore, do not ever mess with them, lest you endure Sesshoumaru’s claws piercing your flesh as he leads you to be sacrificed, Shuran’s bone-crushing bear-hugs, and Hakkaku’s fierce punches and kicks.
I hope you all enjoyed this, and I will see you in the next Inuvember submission. Take care, stay safe, and support your local jungle lord high priest, jungle bodyguard, and jungle messenger, everybody.
Sesshoumaru, Shuran, and Hakkaku from Inuyasha belong to Rumiko Takahashi and Sunrise.

My Thoughts on Puccini’s Tosca at the Staatsoper im Schiller Theater
November 15, 2021 in Uncategorized
Let’s how everything comes together in this production of one of Puccini’s verismo masterpieces. Enjoy the review and let me know your opinions as well.
It’s the Great Pumpkin, Splendid Seven
November 14, 2021 in Blogs, The Splendid Seven

My Thoughts on Puccini’s Manon Lescaut at the Deutsche Oper Berlin
November 14, 2021 in Uncategorized
Martina Serafin knocks it out of the park as Puccini’s Manon Lescaut. Enjoy the review and let me know your opinions as well.
Halloween Sleepover
November 13, 2021 in Blogs, The Splendid Seven

My Thoughts on Giacomo Puccini’s Manon Lescaut Live from the Metropolitan Opera House
November 13, 2021 in Uncategorized
Let’s see how this production of Puccini’s Manon Lescaut starring Kristine Opolais will fare. Enjoy the review and let me know your opinions as well. Yes, I did sound a bit worn out in this video review, but let’s just say my voice kind of gave way in a film shoot I was involved in. But it’s getting better, I just need to rest my voice.
Feudal Era Japan’s Valiant Mothers
November 12, 2021 in Blogs, The Splendid Seven
This screenshot motivational poster is super highly, utterly, and absolutely Pro-InuKimi and Pro-Izayoi with some hints of Pro-Wolf Elder, Pro-Toga, Pro-Sesshoumaru, Pro-Inuyasha, Pro-Ayame, Pro-Shuran, Pro-Hakkaku, Pro-Ginta, and Pro-Shunran thrown in the mix. Sit back, relax, and revel in how InuKimi and Izayoi represent two different sides of Feudal Era Japanese femininity, nobility, and, of course, loving motherhood. This is also my entry for this year’s Red Ribbon Reviewers’ submissions as well as this year’s Inuvember and my personal dedication to all the heroes, both in the military and our families at home, for this year’s Veterans’ Day weekend. 
In the last motivational poster revolving around who I believe are the true parents in the Inuyasha universe, let alone in my Splendid Seven AU headcanon, I mentioned that InuKimi and Izayoi bear similarities to Janet Hubert’s and Daphne Maxwell Reid’s respective portrayals of Vivian “Aunt Viv” Banks from The Fresh Prince of Bel-Air thanks to InuKimi embodying Hubert’s driven career woman version of Aunt Viv and Izayoi embodying Maxwell Reid’s subdued yet authoritatively dignified version of Aunt Viv. I attribute this to my endless rewatching of The Fresh Prince of Bel-Air as well as going through my favourite episodes with Hubert from Seasons 1 to 3 and Maxwell Reid from Seasons 4 to 6 which has its perks as a devoted Fresh Prince of Bel-Air fan. I still contend to this notion because, where Janet Hubert and Daphne Maxwell Reid represent two different sides of Aunt Viv as well as embodying different facets Black American womanhood, affluence, and motherhood in California, InuKimi and Izayoi represent two different sides of motherhood and their high social status as noblewomen of the court as well as wives of Toga the Dog General aka Inu no Taisho in Sengoku Period Japan, thus being the Aunt Viv originally portrayed by both Janet Hubert (Seasons 1–3) and Daphne Maxwell Reid (Seasons 4–6) to Toga’s Uncle Phil originally portrayed by the late, great James Avery. This comparison is neither arbitrary nor entirely based on randomness, but of realising how much the two mothers of the Inuyasha universe have a lot in common with the two actresses who played Fresh Prince of Bel-Air’s Aunt Viv. Either way, both InuKimi and Izayoi are two brilliant mothers who can maintain strong family values in their own ways, thus doing their best to raise Sesshoumaru, Inuyasha, Ayame, Shuran, Hakkaku, Ginta, and Shunran to be the greatest versions of themselves.
InuKimi does don Janet Hubert’s driven career woman portrayal of Aunt Viv almost to a tee. Where Hubert’s Aunt Viv is a well-rounded, outspoken, wise, knowledgable, and formidable wife and mother who is a university professor specialising in Anglophone literature and African-American History, a very flexible dancer, and a golden-voiced singer, thanks to Hubert’s experience as a Broadway singer and actress doing Andrew Lloyd Webber’s Cats back in 1982, InuKimi is a calculating, intellectual, articulate, stately dog Daiyokai lady whose commanding presence deserves respect from her subjects and her own son Sesshoumaru, as she is the embodiment of an independent woman politician who does not permit anybody to challenge her. There is no doubt that both Hubert’s Aunt Viv and InuKimi are very take-charge career women who know how to lay the law, but the former is far more physically active than the latter, considering that Hubert’s Aunt Viv has never forgotten about her West Philadelphian roots. For instance, as much as we can remember Hubert’s Aunt Viv’s dance scene, we also have to remember the many occasions where she lets loose on anybody about to be in serious trouble, as evidenced in “72 Hours” and “Striptease for Two”. InuKimi is more subtle in her approach to let somebody know that they are in serious trouble to the point where she does not even need to raise her voice. The mere sight of her should make any troublemaker shiver, which is also evident in Hubert’s Aunt Viv. When it comes to knowledge and wisdom, both Hubert’s Aunt Viv and InuKimi implement their brains and skills in their own special ways. “The Ethnic Tip” demonstrates that Hubert’s Aunt Viv, through her career as a university professor, knows how to make African-American history approachable, engaging, and interesting to all her students. However, that does not mean that either her own son, Carlton, or her own nephew/surrogate son, Will, are going to get away from this lightly with free A’s, for they are given extra work, including researching Penn Institute’s history complete with compiling and citing from various sources. Its ending scene proves to be just as powerful thanks to Hubert’s Aunt Viv’s message on never underestimating the struggles occurring in Black America. Just because Will has been reading The Autobiography of Malcolm X several times, preached his slogans, and plastered his posters does not mean that he has a more profound and critical understanding of the entire struggle for attaining civil rights and the discriminatory issues that have occurred even way before Malcolm X, Martin Luther King, and Rosa Parks existed. InuKimi even challenges her own son, Sesshoumaru, to recognise how much he has changed after what has happened to Kohaku and, especially, Rin, thus heralding a subtle change in his heart and being just as urgent in his change as an individual. While Hubert’s Aunt Viv and InuKimi do challenge their sons’ perceptions of themselves and their respective identities, their backgrounds could not have been any more different. Hubert’s Aunt Viv was a high-school dropout before she did her G.E.D., obtained her Bachelor’s Degree through night school while supporting herself working as a hotel maid, and earned her doctorate degree at UCLA while simultaneously obtaining professorship. Furthermore, Hubert’s Aunt Viv came from a tough background, but that did not stop her from applying herself and achieving goals that were so much bigger than her. InuKimi’s life is shrouded in mystery, but she does have a very powerful lineage coupled with her prestige, nobility, and high position as a noblewoman of the Feudal Era Japanese court. Therefore, Hubert’s Aunt Viv and InuKimi represent the benefits of applying themselves as career-driven women with a multitude of ambition, drive, determination, and taking full responsibility of their family without ever wavering from adversity.
Izayoi embodies Daphne Maxwell Reid’s subdued yet authoritative mother figure of Aunt Viv really effectively. Both Maxwell Reid’s Aunt Viv and Izayoi are dignified, nurturing, understanding, honourable, forthright, and inwardly strong wives and mothers who will do everything they can to protect their homes with every fibre of their being. Yes, I am fully aware that Daphne Maxwell Reid as Aunt Viv tends to be dragged by a good number of hardcore Fresh Prince of Bel-Air fans because of how utterly reduced her character was, how passive she became, and how she was mostly delegated as the subdued housewife after her pregnancy with her youngest son, Nicholas “Nicky” Banks. While I do agree that Maxwell Reid’s Aunt Viv was not as urgent as she was in the previous seasons, due to the writers not knowing what do with Aunt Viv in the later seasons, Daphne Maxwell Reid still managed to portray the authoritative, take-charge, responsible side of Aunt Viv as a mother to her children and a wife to Uncle Phil. She even had her shining moments on Season 4’s “Papa’s got a Brand New Excuse”, which is my number one favourite episode of all time, and Season 5’s “It’s a Wonderful Lie”. The former had her directly giving Lou Smith, Will’s biological father who abandoned him fourteen years ago, an ultimatum stating that, should Lou abandon Will again, he should never return to either him or to them. The latter had her calmly and rationally admonishing her youngest daughter Ashley for her misdeeds of lying to the family about her supposedly going ice-skating but really partaking in a frat house party, kissing a college football linebacker, despite being a fifteen-year-old high-schooler, and for running away, thus ending in a tearfully remorseful Ashley being wrapped in Maxwell Reid’s Aunt Viv’s loving embrace, realising all the harm she has done to Carlton, Will, Hilary, Geoffrey, Aunt Viv, and Uncle Phil. Therefore, Daphne Maxwell Reid’s Aunt Viv is still a strong authority figure in the Banks family with sufficient backbone to make her children realise right from wrong. Izayoi would also fulfil those pre-requisites of being an authority figure who rules with unconditional love, compassion, respect, responsibility, and decorum, considering all the times she has been there for Inuyasha to nurture and protect him from harm. While I can easily compare Izayoi to Maxwell Reid’s Aunt Viv, she is also comparable to Viola “Vy” Smith, Will’s biological mother, portrayed by Vernee Watson-Johnson. Vy and Izayoi are indubitably nurturing, appreciative, loving, and protective to their own kin. Whether it is Vy being there for her sisters and her son or Izayoi being their for her son, no amount of trouble would ever destroy the unconditional love they have for their family. Izayoi and Maxwell Reid’s Aunt Viv do have a lot in common in terms of their own brands of motherly love and being strong authority figures in their families, but Izayoi also has a lot in common with Vy, for both of them are very appreciative, protective, and potent mothers who know what is best for their sons.
InuKimi’s and Izayoi’s motherhood skills would not only be of fantastic use to both Sesshoumaru and Inuyasha, but also their surrogate sons Shuran, Hakkaku, and Ginta and their surrogate daughters Ayame and Shunran. Both InuKimi and Izayoi would keep their children in line in such an effective manner that they would aid them in growing up to be the best versions of themselves. InuKimi’s approach to motherhood is centred on structure, respect, responsibility, and honesty. Izayoi’s revolves around kindness, compassion, understanding, and taking full responsibility of their own actions. The Wolf Elder and Toga would be just as grateful to have InuKimi and Izayoi in their lives because of how well they have kept the family together. Sesshoumaru and Inuyasha would not only grow up to be valiant warrior gentlemen with sufficient decorum, but Shuran, Hakkaku, and Ginta would be just as valiant and composed, and Ayame and Shunran would be just as independent and outspoken. Given that neither Ayame nor Shunran had any mother figure in their lives, both InuKimi and Izayoi would be catalysts in their lives growing from girlhood to womanhood. Ayame would learn from both mothers that she has what it takes to stand on her own two feet, taking on the world, and never giving up. Shunran would also learn that her strength is in her kindness, compassion, and attentiveness to her friends, her family, and everybody that she loves. Whatever method is implemented, both InuKimi and Izayoi are going to ensure that their family is safe, secure, and sound.
InuKimi and Izayoi are two sides of the same coin when it comes to motherhood and unconditional love for the family. Just like how Janet Hubert and Daphne Maxwell Reid are two different actresses embodying Aunt Viv, InuKimi and Izayoi follow in their footsteps as two mothers who share a common role in their family. From InuKimi being compared to Hubert’s independent, fierce, and outspoken career woman portrayal of Aunt Viv to Izayoi being akin to Maxwell Reid’s dignified, graceful, and logical mother figure portrayal of Aunt Viv, these two mothers have their ways of keeping a family together.
I hope you all enjoyed this, and I will see you in the next Inuvember submission. Take care, stay safe, and always remember to honour, love, and show a lot of appreciation for your mothers, everybody.
InuKimi and Izayoi from Inuyasha belong to Rumiko Takahashi and Sunrise.

My Thoughts on Puccini’s Turandot Live from the Metropolitan Opera House
November 12, 2021 in Uncategorized
Ah the unsurpassable Franco Zeffirelli Turandot production, starring Nina Stemme, Marco Berti, Anita Hartig and Alexander Tsymbalyuk with Maestro Paolo Carignani on the helm. Let’s see how well this fares. Enjoy the review and let me know your opinions as well.
