(Scene begins with a smartwatch screen and a finger as it taps the screen, and the 1994 American Gladiators plays as the scene cuts to a hand as it taps an app on his phone, as it opens a portal.)
(It cuts to James and the characters he’s played until it cut to his face and the credit of “James Faraci” is shown as it cuts to “The Last Of The Americans’” current iteration then slides away to different images of Paulo Fonseca, Brenda Fonseca, Rebecca Yaun, Nick Yaun and the characters they’ve played until it cut to their faces. The credits of “Paulo and Brenda Fonseca, Rebecca and Nick Yaun” are shown, then slide away to different images of Doug Yaun and Crosslyn Castillo, Nick Lopez and Jessica Lopez-Barkl, and the characters they’ve played, until it cuts to their faces.)
(After that, the credits “Doug Yaun and Crosslyn Castillo, Nick Lopez and Jessica Lopez-Barkl” are shown, as it then slides away to different images of Andrew Beach Eric Kurtzke, Renee Miller and Olivia Horvath. Following this, the credits of “Andrew Beach, Eric Kurtzke, Renee Miller, Olivia Horvath” are shown as the 0:00-0:21 mark of the theme song plays.)
(Everything becomes a swirl of reds, whites, and blues, as the credits “Produced by First Choice Entertainment Productions in association with Manic-Expression.com”; “Executive Producers: James Faraci, Paulo Fonseca, Brenda Fonseca, Rebecca Yaun, Nick Yaun, Eric Kurtzke, Renee Miller, Andrew Beach & Olivia Horvath”; “Editing by Eric Kurtzke and James Faraci”; “Written and Directed by James Faraci” are shown, as the 0:21-0:26 mark of the theme song plays.)
(We then see an image of James as he jumps through the portal and lands with half of his team on his right. The other half on his left is on a black background. Finally, the title “THE LAST OF THE AMERICANS” is shown Lazer etched into Titanium as the last six seconds of the American Gladiators 1994 theme song plays.)
(Cut to James in his office)
TLOTA:
I’m James Faraci The Last Of The Americans, the views I’m about to express are that of my own and some of yours. And welcome to another edition of “Connect The Plots” (Cut to a scene of James trying to connect certain things together like the theatrical version of “Halloween: The Curse Of Michael Myers” & “Halloween: H20”, All the movie adaptations of Stephen King, Superman Returns to the original Salkind Superman movies, the first three X-Men movies to the newer ones and the “Wolverine” & “Deadpool” movies before cutting to James strapped down in a strait jacket all the while a kid sings “Connect The Plots La-La-La!” before panning down to see anything that might have a minor connection spell the words “Connect The Plots” before cutting to scenes from “Terminator 3: Rise Of The Machines,” “Terminator: Salvation,” “Terminator: Genisys”,” and “Terminator: Dark Fate” as James does a voiceover.)
TLOTA (V.O.):
With all the different movies that came out that either tried to be THE sequel to Terminator 2: Judgement Day and either miss the mark or tries to rewrite the franchise to fit their desires to change it and put either the first two out of continuity or at worst make their movie the ending to the franchise, and while connecting these plots to the first two is a nearly impossible task, today I choose to something different. I am going to cherry-pick things that I liked from these movies, change moments that I felt didn’t work, or not use them, and connect this with the first two in a satisfying way.
Can I make one semi-good Terminator movie from cherry-picking from the duds? Find out here
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